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Game Review: Sleaford Mods' Jason Williamson Takes On Role in Critical Look at Ecstasy Generation Era

Produced by Bristol sound co-founder the musician-producer, this sharp-edged though undernourished debut feature casts a critical gaze on 90s rave culture. Venal drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a darkly funny duel unfolds – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Sensibility

There is only one important plot development, but it leads to a comically executed chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

Game is in UK and Irish theaters from 17 November.

KP
The writer

Karen Peterson

A venture capital analyst with over a decade of experience in UK tech startups and funding strategies.

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