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How 'Showgirl Glamour' Emerged as the Glittering Look of the New Year

After a three-decade run on the Las Vegas strip, the dancers from the production Jubilee! took a final synchronised kick in 2016. The extravaganza, renowned for its ornate costumes designed by celebrated designer Bob Mackie, came to an end due to dwindling audience numbers and unimpressed commentators who labeled it a spectacle “trapped in time”.

Now, nearly ten years later, the showgirl, or at least the showgirl style, is making a comeback.

A Master of Glitz

Dubbed the “sultan of sequins”, Mackie has made theatrical showgirl glamour his trademark look, clothing everyone from screen legends to Madonna. Recently, a “see-through” bodysuit he designed for Cher in 1978 sold for $57,600, far exceeding its projected value, while a shimmering beaded bodysuit with shiny wings that Mackie designed for Tina Turner for a 1977 show sold for $19,200.

“In my view it looks more attractive for the new generation of stars who is desiring something other than what they knew from childhood”, he told a publication. “Contemporary performers are embracing a theatrical, more spectacular, attention-grabbing, memorable statement.”

A Pop Culture Comeback

It’s a look that sashayed all the way to the centre of the cultural zeitgeist in 2025 largely due to a chart-topping superstar. Earlier this year, the cultural juggernaut wore one of Mackie’s vintage Jubilee! costumes on the cover of her 12th studio album. The crystal-covered bra and thong, plumed armbands and sparkly headpiece were ideal for a record named The Life of a Showgirl.

Swift is part of a trend. This year, showgirl references have been adopted by pop stars including Sabrina Carpenter as they whizzed across arena stages in sparkles, strategic openings and plumes, illuminated against overstated sets. A top stylist a fashion expert mentioned in an interview with a fashion magazine he wanted to bring “a showgirl spirit” to her Radical Optimism tour – referencing pictures from the 50s, her performers waved giant ostrich feather fans.

Drawing from the Past

Modern stars and other hitmakers also take inspiration from 19th-century entertainment forms, including classic theater and chorus line references. The results are vastly different from the late-century teen pop of crop tops and utilitarian trousers, and street-style dance moves that came before them.

But certain observers are enthusiastic with this showgirl revival. An ex-showgirl, a former Jubilee! showgirl who performed in the 00s says the trend is “puzzling”. She thinks the word term is being “used as an umbrella term including everything from The Radio City Rockettes to Broadway performers and now apparently Taylor Swift.”

The Highly Sought-After Classic Look

For gen Z and young adult stars, Mackie’s classic designs have become highly covetable. In 2024, a famous actress honored to one of Mackie’s iconic muses, Cher, when the actor wore a semi-sheer embellished dress made by the designer in 2001, which was inspired by one he created for Cher to wear in 1967. Later that year, Miley Cyrus paid an significant price to buy the Mackie tasseled mini dress she had worn at an awards show to perform at the Grammys. In September, the singer wore a collection of vintage Mackie designs at the MTV Video Music Awards. They are also a hit among vintage enthusiasts.

“Showgirls inspire a sense of longing for a bygone era of glitz,” says an archivist, a curator at the an academic institution, who studies the history of showgirls. “Today it is viewed as a sort of ‘acceptable’ sexy because it has been modified. It has got all the elegance, the rhinestones and the shine but without the nudity.”

A Than Simply Style: An Icon of Vegas

The expert says this figure are central to the imagery of Vegas. She points to former mayor Oscar Goodman who, during official events, was accompanied by two showgirls. Although Las Vegas no longer has any showgirl-centric productions, the historian says they are still employed as an emblem of the city, being present at gatherings and in advertisements. “The showgirl is still a remaining figure of Vegas spectacle,” she says.

The Allure of Illusion

The former showgirl says the magical transformation of a stage character is part of the appeal. This is a notion Swift references in a latest behind-the-scenes film that captures the off-camera action from her extensive 2023 Eras tour, which included gruelling rehearsals, workouts and numerous performances across 21 countries, each going on for 3.5 hours.

She describes her own showgirl performances as “similar to running a marathon in high heels every night”. Her feathered headdress was 34lbs. “I had to carry it all the way up the staircase to the stage from the dressing rooms three floors below in the basement. I had to start early for my cue so I could recover before I made my entrance. You are working hard the whole time but crafting this image that it’s simple and beautiful and ethereal.”

It could be this is where the fascination of the showgirl fantasy really resides. In the busyness of 2025 there is a craving for escapism. Is there anyone better to emulate than these performers, who have always embodied dreams, perfection and a world where nobody makes a mistake.

KP
The writer

Karen Peterson

A venture capital analyst with over a decade of experience in UK tech startups and funding strategies.

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